Criticwatch

Film Title: Speed Racer
Released by: Warner Bros,
Tomatometer: 34% (as of May 9, 2008)

Respected Critics Say:
"135 minutes of noisy, infantile and shockingly boring mind rot that will inspire only partial epilepsy in viewers whose ages remain in the single digits and complete ennui in those who have passed the big 1-0.." - Peter Sobczynski, eFilmCritic.com
" It wouldn’t surprise me to learn that the entire movie was paid for by the makers of Tylenol.." - Scott Weinberg, Cinematical
"At an exceedingly long 135 minutes, the film needs more than what might result from the explosion of a Crayola factory, and Speed Racer has nothing extra to offer — no heart, no excitement, no moments to cherish." - James Berardinelli, ReelViews

What I Said:
"Speed Racer devolves into one of the most painfully ill-conceived borefests to ever grace a summer movie season and an easy candidate of one of 2008’s worst films." – Erik Childress, eFilmCritic.com

That’s what the negative reviews of Speed Racer look like. Critics who don’t like it, REALLY don’t like it. And more sympathetic – I could not be. 34% actually seems high at Rotten Tomatoes with 81 reviews clocked in Friday morning, but the number has been going down day-by-day and will probably be somewhere between 25-30% by Sunday. Possibly, unfathomably, lower than What Happens In Vegas. Warner Bros. is not using any of that 33% though. They have trotted out a lineup of whores like a menu at the Chicken Ranch. Starting with last Sunday’s ads, it seems new ones kept popping up on the TV spots and even more for this weekend’s ads.

"The creators of the Matrix trilogy have revolutionized moviemaking." - Earl Dittman
"Spectacular! Visually stunning. It will blow your mind." – Mark S. Allen
"A spectacular adventure for all ages." – Dean Richards
"A visual masterpiece. Great entertainment." – Janet Stokes
"Beyond incredible. You’ve never seen anything like it." - Bryan Erdy
"One of the most exhilarating movies you’ll ever see." – Jim Ferguson
"It’s the coolest thing I’ve seen." - Carrie Keagan

Bryan Erdy must have been given the Jedi mind trick into thinking he was seeing a Disney film. Dittman has given us some seriously old news and you can read below to find out who Carrie Keagan is. David Poland at MovieCityNews has been pimpin’ this movie since late April. And has been giving them some gem quotes that don’t sound like the crap just above. Now, like anyone who likes this movie I think he was either drunk or a recipient of the McMurphy treatment when seeing it, but why not use someone willing to write thousands of words about your film and continue to defend it then these 15 words-or-less jokers?

Universal this month pulled a very dirty trick on members of the Chicago Film Critics Association and, from what I’m told, some other markets as well. Early reports from colleagues that the studio was going to withhold their latest film, Baby Mama, from online critics until the last possible moment seemed, in a word, silly. Since we know the old-fashioned consciousness about the internet critic are mama’s fanboys in their basements with Jolt Cola I.V.’s connected to their crotches - you can understand their trepidation. After all, why would they be interested in a leading lady MILF who makes constant science-fiction references on one of the funniest shows on television? Silly.

(NOTE: Earlier in the week the Rotten Tomatoes score for Baby Mama was at 90% - 9 out of 10 of those "early reviews" that Universal hoped to avoid by inviting the onliners were positive. Since then, as we get closer to print, the score has dipped to 57% with 8 of the last 11 posted reviews negative. Good call, Universal.)

So, despite having (at least) three confirmed screenings in the Chicagoland area in public theaters with more than enough space to accommodate the membership, more than half of the CFCA were relegated to a screening the night before. And not just online critics. Print and radio were also reduced to this treatment while only a handful of select media were invited as early as April 8 and some were invited to all three (including the 10th & the 17th.) 60 members of the CFCA and, give or take, a third were invited to anything allowing a review before their deadlines.

This is the same studio that screened Forgetting Sarah Marshall at least three times before its opening in the city as well and no one, to my knowledge, was left on the chopping block; a film which got Universal its best reviews of the year - including multiple CFCA members who said it was the funniest movie they had seen so far this year. (I don’t know if its the funniest ever, Mr. Roeper, so let’s scale it back a little - but very funny nevertheless.)

Speaking of chopping blocks, the reason for this lengthy introduction is so we can congratulate Universal for getting precisely what they wanted. Few CFCA members would be so bold as to speak out loud such ostentatious prose for a studio to plaster on the film ads. But WGN Radio’s Dean Richards has let it all hang out and called Baby Mama:

"The freshest, funniest comedy of the year."

WOW! Fresh AND funny? That combo has never been utilized together in film before; and certainly never mentioned here on Criticwatch as the mark of the unintelligible blurb whore. I’m sorry, but this is more embarrassment than anything else. One of Windy City’s own who has done little, if anything, to support the organization, when asked, stays in Universal’s favor by either speaking or e-mailing those words to one of their representatives looking for a reaction to the screening that about two-thirds of his colleagues were denied. How does one sit down to write those words? Is that an honest reaction?

Having not seen the film, I cannot attest to how funny it may very well be. But exactly how fresh is it, four months removed from a year known frequently referred to as the “year of the pregnancy.” Does Knocked Up, Waitress and Juno ring a bell? Baby Mama is about as “fresh” as a Maury Povich episode. But maybe it IS the funniest comedy of the year, but how would I know as I stand with my CFCA brothers and sisters who weren’t invited.

Besides, I have it on good authority from Shawn Edwards that Drillbit Taylor was “the freshest and funniest comedy in a long time.” Good company, Dean.