Criticwatch

Criticwatch hasn’t had much to report recently and that’s probably a good thing. Pete Hammond and Shawn Edwards have popped up a couple times. (Disney honestly couldn’t find anyone to go early on the masterpiece WALL-E better than Easy Petey?) But nothing too crazy. WB used a bunch of whores on the ads for the decently reviewed Get Smart. But if you haven’t already, check out the latest piece on the recent glut of whore interviews and the continued (and unnecessary) war between print and online critics.

Criticwatch 2008: War, Peace and Every Man In Between

5/23/08 -

Nineteen years ago this week, Indiana Jones and the Last Crusade debuted to audiences. Chapter four of the Indiana Jones series opened this Thursday. He may be older but the reviews are still fresh, flirting with an 80% approval rating over at Rotten Tomatoes, currently making it the 4th best reviewed film of the year (minimum of 100 reviews) behind Iron Man, Forgetting Sarah Marshall and The Spiderwick Chronicles. (4 Months, 3 Weeks and 2 Days and The Counterfeiters have 2007 roots so they haven’t been included.)

Surprisingly enough though, one critic who is on that negative side is none other than quote whore du jour, Peter Travers. The man who liked Charlie Bartlett, 21, and Speed freakin’ Racer is invoking the term of "silliness" to describe Indiana Jones. And he’s not alone.

The reigning Peter Travers Whore of the Year, Shawn Edwards, blasts Indiana Jones as being neither "fun or adventurous." Edwards says, "it’s silly and annoying" and "the worst and most anti-climactic ever in the history of the movies." Shawn, you ignorant slutwhore. You would rather sit through Fool’s Gold ("Matthew McConaughey and Kate Hudson are this generation’s most engaging on-screen couple") than Crystal Skull? You liked Semi-Pro, Drillbit Taylor AND Welcome Home Roscoe Jenkins? Did poor Shawny get denied an interview from Spielberg and Lucas? (And if anyone saw Access Hollywood’s "exclusive" interview from Cannes, more sympathetic I could not be. "Who’s better with the whip?" was one of their questions.) And here I was going to use this space to celebrate the impending two-month anniversary of our movie ads being Shawn Edwards free. He’s been absent since Leatherheads, the culmination of a period from Feb. 8 - Apr. 4 where he amassed 10 quotes with some of the gems listed above. He had 11 going into the summer season in 2007 where he picked up another 9 quotes from May-to-August. Let’s keep the streak going. I don’t know what more to say about these two idiots. Their reviews, as always, are suspect. Talk amongst yourselves.

Meanwhile, speaking of talk - feel free to tune into Nick Digilio’s show this Sunday night (May 25). At Midnight, myself and Collin Souter will be in-studio to discuss all things Indiana Jones and the resurgence of the elder action franchises. Just click below to listen online, go to www.wgnradio.com or tune into 720 AM in Chicago for what should be an entertaining and informative discussion. Maybe Travers and Edwards can call in.

Universal this month pulled a very dirty trick on members of the Chicago Film Critics Association and, from what I’m told, some other markets as well. Early reports from colleagues that the studio was going to withhold their latest film, Baby Mama, from online critics until the last possible moment seemed, in a word, silly. Since we know the old-fashioned consciousness about the internet critic are mama’s fanboys in their basements with Jolt Cola I.V.’s connected to their crotches - you can understand their trepidation. After all, why would they be interested in a leading lady MILF who makes constant science-fiction references on one of the funniest shows on television? Silly.

(NOTE: Earlier in the week the Rotten Tomatoes score for Baby Mama was at 90% - 9 out of 10 of those "early reviews" that Universal hoped to avoid by inviting the onliners were positive. Since then, as we get closer to print, the score has dipped to 57% with 8 of the last 11 posted reviews negative. Good call, Universal.)

So, despite having (at least) three confirmed screenings in the Chicagoland area in public theaters with more than enough space to accommodate the membership, more than half of the CFCA were relegated to a screening the night before. And not just online critics. Print and radio were also reduced to this treatment while only a handful of select media were invited as early as April 8 and some were invited to all three (including the 10th & the 17th.) 60 members of the CFCA and, give or take, a third were invited to anything allowing a review before their deadlines.

This is the same studio that screened Forgetting Sarah Marshall at least three times before its opening in the city as well and no one, to my knowledge, was left on the chopping block; a film which got Universal its best reviews of the year - including multiple CFCA members who said it was the funniest movie they had seen so far this year. (I don’t know if its the funniest ever, Mr. Roeper, so let’s scale it back a little - but very funny nevertheless.)

Speaking of chopping blocks, the reason for this lengthy introduction is so we can congratulate Universal for getting precisely what they wanted. Few CFCA members would be so bold as to speak out loud such ostentatious prose for a studio to plaster on the film ads. But WGN Radio’s Dean Richards has let it all hang out and called Baby Mama:

"The freshest, funniest comedy of the year."

WOW! Fresh AND funny? That combo has never been utilized together in film before; and certainly never mentioned here on Criticwatch as the mark of the unintelligible blurb whore. I’m sorry, but this is more embarrassment than anything else. One of Windy City’s own who has done little, if anything, to support the organization, when asked, stays in Universal’s favor by either speaking or e-mailing those words to one of their representatives looking for a reaction to the screening that about two-thirds of his colleagues were denied. How does one sit down to write those words? Is that an honest reaction?

Having not seen the film, I cannot attest to how funny it may very well be. But exactly how fresh is it, four months removed from a year known frequently referred to as the “year of the pregnancy.” Does Knocked Up, Waitress and Juno ring a bell? Baby Mama is about as “fresh” as a Maury Povich episode. But maybe it IS the funniest comedy of the year, but how would I know as I stand with my CFCA brothers and sisters who weren’t invited.

Besides, I have it on good authority from Shawn Edwards that Drillbit Taylor was “the freshest and funniest comedy in a long time.” Good company, Dean.

Much of the time from the mainstream media we hear of interviewees complaining how their comments were taken out of context and didn’t reflect their true thoughts. Sometimes its true. Other times its just a smokescreen to cover up a huge gaffe while misplaced outrage travels the airwaves for three days or so. With film critics it’s a little different. Roger Ebert, more than most critics, frequently found a negative review of his translated into positive adjectives by the studio trying to sell their movies in ads. Remember when the single word “Funny” was taken out of his Little Nicky review? In an interview with Shawn Edwards recently, the 2007 Whore of the Year alluded that some of the things he said would be condensed in just the same way. Like when I said “I think Shawn Edwards is a critic…” Sure I said it, but my full quote would actually have been “I think Shawn Edwards is a critic who should be flushed through the shit-stormed sewers of Kansas City and see how his taste is then.”

The frequent bridge between the professional, trusted film critic and those of the junket whore media is in their ability to write. The whores don’t do it. They speak in adjectives and frequently don’t think before they do. Something to do with brains being needed. So when someone like Shawn Edwards complains that he’s taken out of context, he’s no better than the guy with a dick in your woman saying “this is not what it looks like.” I am someone who does his best to keep up on the written side of criticism, including covering film festivals like last year’s CineVegas where I saw a film called Careless. Now, I didn’t like the film but if you saw the magazine ad for the film’s forthcoming DVD release this June you would see the following quote:

That’s rather positive for a film I couldn’t even remember saying anything positive about. You can see the entire review here but I’ll save you some time and just expand on the quotes that Image and Thinkfilm chose for the ads. “A three-movie-in-one experience…” it begins, just as it did my review which read “Peter Spears’ Careless is a three movie-in-one experience with the one never developing a dominant presence.” Did it seem like I was TRYING to get quoted with that sentence? Because of whores like Shawn Edwards, Earl Dittman and dopes like Peter Travers I’ve consciously found myself ignoring uses of the various adjectives they wield like the first model of the Terminator. How about the second part? “Blanchard is cute and sweet.” OK, I flat out said that. In the context of the film, “Blanchard is cute and sweet. Hanks is insecure and aloof. Shalhoub is indifferent but caring,” referencing how simplistic the characterizations are. Maybe if Miss Blanchard was taken enough with my words to extend a dinner invitation it’d be worth it. Otherwise I hope readers will find my full review instead of just reading the ads. Hopefully they will do the same and look for reviews by Edwards and Dittman and James Thomas to match what they say on the ads. When they don’t find them, they’ll begin to understand what I’m trying to do here at Criticwatch.

Film Title: Drillbit Taylor
Released by: Paramount
Tomatometer: 24% (as of Mar. 22, 2008)

Respected Critics Say:
“Because the filmmakers plant their laugh-generating derrick over the same comic well that’s been pumped out twice before, Drillbit Taylor hits a dry hole.” – Larry Ratliff, San Antonio Express-News
“With ‘Drillbit Taylor,’ however, Apatow hands the reins over to his protégés and replaces his delicate balancing act with a steep, sudden fall.” – Dan Lybarger, eFilmCritic
“I’d call it a pointless endeavor, except now we might finally be able to pinpoint the source of Wilson’s recent depression.” – Pete Vonder Haar, Film Threat

What Roger Moore said at Rotten Tomatoes:
“Movies such as this remind us that Owen Wilson is nothing less than a national treasure.” - Roger Moore, Orlando Sentinel

But we’re not here to talk about Roger Moore. Although that quote at RT was too precious to ignore from that tool. It actually began with seeing Shawn Edwards as the sole quote provider on Friday’s newspaper ads for Drillbit. "Awesome! The freshest and funniest comedy in a long time," said 2007’s Whore of the Year taking in his 8th quote of the year. (His 9th is right around the corner with next week’s Stop-Loss which he calls "honest and brave." Currently 76% of quoted critics are in direct opposition with the guy who called another Owen Wilson film "refreshingly funny." (That would be 2004’s Starsky & Hutch.) But there was something far more disturbing in store for us on Saturday’s ads.

"Big laughs with a lot of heart." – Pete Hammond, Boxoffice.com

PETE HAMMOND IS BACK??? You can almost here Harry Potter saying those words at the end of the Goblet of Fire. Sure, he’s already been quoted on two other ads this year. One, for Charlie Bartlett, could be attributed to that film being screened for him when he was pimped out by Maxim last August when it was originally supposed to open. But forget all that. Boxoffice.com? Most websites would want to up their profile as opposed to inviting national scorn from respected critics and net-savvy bloggers. Why in Sam Hell would you want to invite this guy to be writing film reviews for you? From what I can tell you have a pretty decent set of critics over there. Certainly a lot more objective than the cash prospective reviews of Variety, which Hammond already blogs for.

A quick look at the films of March you have reviewed on your front page and Hammond already has two four-star (out of five) reviews for Drillbit and Horton Hears a Who? but also a three-star review for the unscreened Doomsday (which I will also admit a certain guilty pleasure for.) But one guilty pleasure doesn’t make up for three-and-a-half years of fluffer quotes for all films good and bad. To the editors of BoxOffice.com - save yourself now before Hammond grows out of control again. We’ve had a good thing for the first three months of 2008 with only three Easy Petey sightings. We need to get our focus back on Shawn Edwards and shame him out of existence.

Film Title: 21
Released by: Sony
Tomatometer: 37% (as of Mar. 28, 2008)

Respected Critics Say:
“It has some decent eye candy, but overall this film is bluffing if they think it’s a great, intelligent blackjack film. I know I just used a poker term, but I doubt 21 would have noticed.” – Jeff Bayer, Daily Herald (IL)
“None of the main stars is remotely convincing as a smart person..” – Josh Bell, Las Vegas Weekly
“For high-stakes drama, stick with The Price is Right.” – Matt Pais, Metromix.com

What I Said:
"You have a director so inept that he doesn’t even understand what genre he’s working within and he’s helped destroy potentially one of the most riveting and important social statements about Las Vegas the movies could have seen." – Erik Childress, eFilmCritic.com

What Peter Travers Said:
“Odds are you’re going to like this lively spin on the true story of six MIT mathletes who broke the Vegas Bank. It’s a kick to watch Kevin Spacey and a gifted young cast use smarts to deal audiences a winning hand.” - Peter Travers, Rolling Stone

And thus begins the annual Travers surge into Spring, where his seemingly dormant self that’s provided hope we won’t see his name plastered on every major release, awakens to push himself into the national consciousness as a film critic that matters. If you can find five reviews for the movie 21 that doesn’t feature some sort of blackjack lingo in the positive or negative, your luck suggests you should maybe be headed to Vegas this weekend. (And I’m as guilty of it as the next.) But can you really take that quote from him as enticement to see one of the worst films of the year? In the spirit of his hamminess, trust me on this one and take the insurance. Don’t double down and if someone suggests 21 at the theater this weekend, HIT them hard and split.

Travers is also touting Stop-Loss (currently 58% at RT) this weekend as "the first major movie of the year that touches greatness." That despite calling Charlie Bartlett "a winner", George Romero "a master" and 4 Months, 3 Weeks and 2 Days "a masterwork." He is joined on the ads by reigning whore of the year Shawn Edwards calling it "honest and brave" and a huge surprise appearance by none other than Bryan Erdy. If you don’t remember his name, then you haven’t been paying much attention to Disney ads because they have been his lock stock for years. No other studio has had the services of Erdy under our watch. Until now. "Provocative. A Wake-up call for America!" says Erdy. And what a self-statement that is. If you go back a few weeks to when Disney was touting its Martin Lawrence/Raven Symone auteur piece, College Road Trip, you would have seen the following words plastered across the screen:

"One fun ride." "Hilarious." "Heartwarming." "The first must see comedy of 2008."

Just those words. Who knows where they came from? No names were there to claim them. It’s almost as if someone at the studio just made those up for our expense. I suppose if David Manning is shouting praise in a forest and no one hears him then he doesn’t exist. Or something like that. But wait a moment, HERE COMES BRYAN ERDY TO SAVE THE DAY!!! "Hysterically funny! This is the perfect family movie." Not quite what the Disney folk had hoped for in their ads, but those words will do. And Erdy was happy to have his name. If you would like to drop Bryan a note and give him a wake-up call to what an inauthentic douchetool he is, check out his MySpace page and tell him how hysterically funny you think his career is.

Taking Leia's gold bikini a step too far, don't you think?

Film Title: Fool’s Gold

Released by: Warner Bros.
Tomatometer: 11% (as of Feb. 8, 2008)

Respected Critics Say:

"It was co-written by the authors of "Anaconda 2" and the director of "Hitch" and the Drew Barrymore version of the Amy Fisher story and even by those less-than-robust standards, they are playing well below their respective high-water marks" - Peter Sobczynski

"There’s more continuity in an episode of Teletubbies." - Phil Villarreal, Arizona Daily Star

"I can’t imagine why on Earth anyone would want a movie to fail so spectacularly on every level — perhaps there’s some sort of tax shelter thing involved, or a Springtime for Hitler scam scenario — but here it is." - MaryAnn Johanson

 

Definite Quotewhore Sightings: (5)

"Matthew McConaughey and Kate Hudson are this generation’s most engaging on-screen couple." – Shawn Edwards
"Kate Hudson and Matthew McConaughey light up the big screen in the first great romantic comedy of the year." – Heather Newgen, Comingsoon.net
"Everything a romantic comedy should be!" – Mark S. Allen
"The adventure comedy is back!" - Mark Seman, Sirius Satellite Radio
"Solid gold fun! Fool’s Gold will make you feel like you’re on vacation!" – Mark Hyman, FOX-TV

I Am Sam.

Film Title: I Am Legend
Released by: Warner Bros:
Tomatometer: 68% (as of 4 Feb 2008)

Respected Critics Say: "I liked it better when it was called 28 Days Later." - Duane Dudeck

Borderline Quotewhore Sightings: (4)
"Explosive"- Kirk Vanderbeek, Real Detroit Weekly
"Intense" - Bonnie Laufer, Tribute-TV Canada
"Moving" - Gebbad Hall, Reelz Channel
"Stunning." - David Sheehan

Definite Quotewhore Sightings: (4)
"Magnificent." - Earl Dittman
"Unbelievable. Remarkable…" - Ben Lyons
"One of the greatest movies ever made" - Ben Lyons (again!)
"Dynamic. Exhilarating. Exciting. Entertaining." - Shawn Edwards
"One of the best films of the year" - Shawn Edwards (again!)
"Suspenseful. Gripping. Oscar worthy" - Kelli Gillespie, FOX-TV

I Am Legend marches right into the Criticwatch Movie Hall of Shame for this marketing mess o’quotewhore fluffery. Long time whorebag, Shawn Edwards, doesn’t hold back, dishing out the reacharound to his homeboy Will Smith, and Earl Dittman’s usual multi-line floral bouquet goes missing in favor of the less obvious, but no less incorrect, ‘magnificent’.

But it’s E!’s Ben Lyons who really takes the cake here. Not satisfied with two single-word blurbs that would be almost guaranteed a trailer spot, he goes for the big kahuna of pullquotes - the ‘greatest ever’ line - and Warner Bros, not knowing when to stop puffing up their poster, just goes right along with it.

Here’s a tip, Warner Bros marketers; if it’s too much praise, we know we’re being sold a bill of goods. Next time ask Lyin’ Lyons for something a little less obvious.